In the belief that art students can only learn to think independently when knowledge, imagination and reflection combine to work together in an unorthodox and critical way, Studium Generale Rietveld aims to encourage critical forms of learning, making and thinking. It follows a new research trajectory every year around a specific theme that links up with current events, issues and discussions in the (art) world. Artists and theoreticians from home and abroad offer a broad spectrum of perspectives on the overarching themes with lectures, performances, presentations and screenings.

After a preliminary programme, which also includes film screenings, reading groups, workshops and publications, there is an annual four-day conference festival in collaboration with guest curators who make contact with urgent critical discourses from different perspectives and practices. This takes place at the Stedelijk Museum Amsterdam and is open to the public.

Since 2014 Studium Generale teams up with Rietveld Uncut; departments and individual students develop projects in relation to the theoretical framework of Studium Generale. The presentation and exhibition of these programmes is simultaneous to the conference, bringing ‘the making and the thinking’ together.

Wed, Jan 6 — Sun, Jan 10, 2021ExhibitionHold Me Now
To programme

Thank You: On What it Means to Care
Joseph Grigely

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A selection of stories and situations related to art, the art world, and disability by artist and writer Joseph Grigely.

Joseph Grigely is an artist and writer. He has had solo exhibitions at venues including: Whitney Museum of American Art; the Museum of Contemporary Art Chicago; Musée d’art Moderne, Paris; Douglas Hyde Gallery, Dublin; and the Whitney, Venice, Berlin, Istanbul, and Sydney biennials. His books include Oceans of Love: The Uncontainable Gregory Battcock (2016), MacLean 705 (2015), Exhibition Prosthetics (2010), Blueberry Surprise (2006), Conversation Pieces (1998), and Textualterity: Art, Theory, and Textual Criticism (1995), as well as essays on disability theory and body criticism. He has a D.Phil. from Oxford University and is Professor of Visual & Critical Studies at the School of the Art Institute of Chicago.

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