In the belief that art students can only learn to think independently when knowledge, imagination and reflection combine to work together in an unorthodox and critical way, Studium Generale Rietveld aims to encourage critical forms of learning, making and thinking. It follows a new research trajectory every year around a specific theme that links up with current events, issues and discussions in the (art) world. Artists and theoreticians from home and abroad offer a broad spectrum of perspectives on the overarching themes with lectures, performances, presentations and screenings.

After a preliminary programme, which also includes film screenings, reading groups, workshops and publications, there is an annual four-day conference festival in collaboration with guest curators who make contact with urgent critical discourses from different perspectives and practices. This takes place at the Stedelijk Museum Amsterdam and is open to the public.

Since 2014 Studium Generale teams up with Rietveld Uncut; departments and individual students develop projects in relation to the theoretical framework of Studium Generale. The presentation and exhibition of these programmes is simultaneous to the conference, bringing ‘the making and the thinking’ together.

Sun, Jan 10, 2021BeamclubHold Me Now
To programme

Untitled
Luke Willis Thompson

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Thompson will discuss three recent films in relation to interpretations of care as they play out in his projects. To accompany this talk, Thompson will screen versions of his work, and discuss the complex politics of both their display and their production.

Luke Willis Thompson (b. 1988, Auckland) is a graduate of both the Städelschule Staatliche Hochschule für Bildende Künste, Frankfurt am Main and the Elam School of Fine Arts University of Auckland MFA program. Recent solo exhibitions include Untitled, Adam Art Gallery, Wellington, 2018, autoportrait, Chisenhale Gallery, London, 2017, and misadventure IMA Brisbane 2016. Recent group exhibitions include Live Uncertainty, 32nd Bienal de São Paulo, and Le Grand Balcon, Montreal Biennale, both 2016 and Surround Audience New Museum Triennial, New York, 2015. Thompson was awarded the 2014 Walters Prize and is currently nominated for the 2018 Deutsche Börse Photography Prize prize.

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What if Anything is Wrong with Extreme Wealth20210105-2869-4rr2cj.pdf

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