In the belief that art students can only learn to think independently when knowledge, imagination and reflection combine to work together in an unorthodox and critical way, Studium Generale Rietveld aims to encourage critical forms of learning, making and thinking. It follows a new research trajectory every year around a specific theme that links up with current events, issues and discussions in the (art) world. Artists and theoreticians from home and abroad offer a broad spectrum of perspectives on the overarching themes with lectures, performances, presentations and screenings.

After a preliminary programme, which also includes film screenings, reading groups, workshops and publications, there is an annual four-day conference festival in collaboration with guest curators who make contact with urgent critical discourses from different perspectives and practices. This takes place at the Stedelijk Museum Amsterdam and is open to the public.

Since 2014 Studium Generale teams up with Rietveld Uncut; departments and individual students develop projects in relation to the theoretical framework of Studium Generale. The presentation and exhibition of these programmes is simultaneous to the conference, bringing ‘the making and the thinking’ together.

Thu, Dec 10 — Sat, Dec 12, 2020ScreeningTake A Walk on the Wild Side
To programme

Black Gaze, Black Skin, Black Feeling: A Conversation with Luke Willis Thompson and Tina Campt
Tina Campt, Luke Willis Thompson

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A Conversation with Luke Willis Thompson and Tina Campt.

Luke Willis Thompson lives and works in London. Solo exhibitions include: Human, Kunsthalle Basel, 2018; Luke Willis Thompson, Adam Art Gallery, Wellington, 2018; autoportrait, Chisenhale Gallery, London, 2017; Cemetery of Uniforms and Liveries, Galerie Nagel Draxler, Berlin, 2016; Sucu Mate/Born Dead, Hopkinson Mossman, Auckland, 2016; and Misadventure, IMA, Brisbane, 2016. Group exhibitions include: 10th Berlin Biennale, 2018; 32nd Bienal de São Paulo, 2016; Biennale de Montréal, 2016; and Surround Audience, New Museum Triennial, New York, 2015. Thompson was awarded the Walters’ Prize in 2014, the Deutsche Börse Photography Foundation Prize in 2018, and nominated for the 34th Turner Prize (2018–19).

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What if Anything is Wrong with Extreme Wealth20210105-2869-4rr2cj.pdf

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